Making work you can sell
People pay for a feeling they can repeat. They refund a miracle. Build the former, describe it accurately, and give yourself a mix they can take to a real studio.
What you are actually selling
A title with an outcome, a duration, and a method: ‘Sleep descent, 25 minutes, nidra and delta bed.’ Tags a store can index. A cover that is quiet. A preview that is the first ninety seconds plus a slice of the bed — not the climax of the metaphor.
Your own voice, recorded dry in a small dead room, is worth more than a perfect TTS for a paid product. Use the generated voice to hear the script’s timing. Then record. Export the frequency bed as a seamless loop, the noise as a second stem, the script with timestamps, and mix in whatever DAW you like. Liminal is the writing room and the rehearsal, not a replacement for a microphone.
Claims you can stand on
Yes: ‘designed to help you settle’, ‘a theta-range binaural bed, headphones required’, ‘a structured yoga nidra’. No: ‘cures insomnia’, ‘erases trauma’, ‘reprograms your DNA’, ‘the frequency of the universe’. Platforms pull tracks for medical claims. Worse, you will hurt someone.
Always: not while driving; not in water; not a substitute for care; contraindications for breath-holds and for flashing/pulsed tone if they have photosensitive epilepsy (isochronic is the one to mention); headphones for binaural. Accessibility: ship the transcript. Some buyers will only read.
A simple commercial ladder
One promise per track. A series of five that share a voice and a bed, different outcomes. 12–22 minutes. Price it like a well-made single, not like a guru’s initiation. Give a free 8-minute calm so the room is familiar before you ask for money.
Do not steal someone else’s induction word for word. The patterns are public language; a paragraph that is clearly another teacher’s mouth is not. Write it again, slower, in your nouns.